Henri Rousseau The Sleeping Gypsy painting

Henri Rousseau The Sleeping Gypsy paintingHenri Rousseau The Dream paintingPaul Cezanne Trees in Park painting
would never see him otherwise. He had his look of faint impatience, the chin strained a little upward, as if he were concealing his objection to a collar which was too tight and too formal. And in this slight urgency of the chin; in the small trendings of a frown which stayed in the skin; in the arch of the nose; and in the still, strong mouth, there was a look of pride. But most of all, there was indifference; and through this indifference which held him in every particle of his being—an indifference which would have rejected them; have sent them away, except that it was too indifferent even to care whether they went or stayed—in this self-completedness which nothing could touch, there was something else, some other feeling which he gave, which there was no identifying even by feeling, for Rufus had never experienced this feeling before; there was perfected beauty. The head, the hand, dwelt in completion, immutable, indestructible motionless. They moved upon existence quietly as stones which withdraw through water for which there is no floor.
The arm was bent. Out of the dark suit, the starched cuff, sprang the hairy wrist.